wheatwilliams
16th November 2004, 1.50 am
This is not a tapping instrument question, per se, but rather a fanned-fret question.
An earlier thread here discussed the patent on the fanned fretboard held by Ralph Novak.
In the 1990s, English classical guitarist Paul Galbraith commissioned luthier David Rubio (now deceased) built a fanned-fret 8-string classical guitar tuned low A to high A (one fifth lower and one fourth higher than a conventional guitar).
http://www.rubioviolins.com/
Galbraith uses this guitar to play transcriptions of keyboard and lute music from the Renaissance to Classical periods, as well as contemporary Brazillian music. He has recorded several major label albums using this guitar.
The guitars are currently being built by an English luthier named Martin Woodhouse.
http://homepage.ntlworld.com/james.woodhouse1/8-stringgall1.html
I have never read of any connection mentioned between Galbraith, Rubio, Woodhouse and Novak.
Is the fanned-fret 8 string classical guitar in violation of Novak's patent? Does the patent not apply in England or the EU?
An earlier thread here discussed the patent on the fanned fretboard held by Ralph Novak.
In the 1990s, English classical guitarist Paul Galbraith commissioned luthier David Rubio (now deceased) built a fanned-fret 8-string classical guitar tuned low A to high A (one fifth lower and one fourth higher than a conventional guitar).
http://www.rubioviolins.com/
Galbraith uses this guitar to play transcriptions of keyboard and lute music from the Renaissance to Classical periods, as well as contemporary Brazillian music. He has recorded several major label albums using this guitar.
The guitars are currently being built by an English luthier named Martin Woodhouse.
http://homepage.ntlworld.com/james.woodhouse1/8-stringgall1.html
I have never read of any connection mentioned between Galbraith, Rubio, Woodhouse and Novak.
Is the fanned-fret 8 string classical guitar in violation of Novak's patent? Does the patent not apply in England or the EU?